A Reopening of Sorts
Can any one publication tell the stories of a field that’s partly in crisis, partly hanging on, partly thriving? It can certainly bear witness to our accountability and abundance.
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Can any one publication tell the stories of a field that’s partly in crisis, partly hanging on, partly thriving? It can certainly bear witness to our accountability and abundance.
This moment has pushed us past even our most prescient preparations for crisis and challenge, but we can face it together.
Knowing Diane Rodriguez was like inhabiting an adventure story whose protagonist hatches big plans and invites you to come along.
In the midst of a growing pandemic, the interconnectivity of the global theatre community can be a source of strength and hope.
New models don’t ‘grow on trees.’ As 2010s in theatre demonstrate, they begin in ambition and risk.
A look back at 1990, a time of activism and optimism for a field that had been somewhat under siege in the ’80s.
The ecosystem of the American theatre field is characterized by mobility as well as mentorship.
In the face of attendance unpredictability, let’s work together to ensure the vitality and impact of theatre for years to come.
U.S. theatre’s relationship with its Japanese colleagues has come a long way since Tadashi Suzuki’s 1978 debut here.
International Women’s Day, World Theatre Day, 400 Years of Inequality, and others offer opportunities for the field to mark our history this month and beyond.