Joy and Protest at the Theatres of Color Virtual Gathering
Last week TCG hosted ‘Too Legit to Quit,’ and both its party vibes and its urgent solidarity are still resounding.
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This column is designed to feature voices and issues that are underrepresented in the American theatre. Please send ideas and tips to American Theatre magazine at at@tcg.org.
Last week TCG hosted ‘Too Legit to Quit,’ and both its party vibes and its urgent solidarity are still resounding.
Theatre students and alumni join the anti-racist groundswell in the U.S. theatre to pen statements speaking up about their experiences and demanding change.
For Black theatre artists, this is a time for healing; for our white counterparts, it is a time of reckoning. Can we make this moment count?
An inside look at the long-standing and often overlooked incubators who’ve boosted the profiles of early-career stage writers of color.
One thing the COVID-19 pandemic is highlighting: the need for stronger support and relief for early-career workers who’ve only just entered the field.
Asian Pacific Islander theatres and artists fight a rise in xenophobia in the reaction to a global pandemic.
Also, a goodbye to my editorial home.
How Chicago’s theatre scene reflects its legacy of racism—and what can be done to fight it.
Artists of color have had to work hard just to get to work in the Windy City, and in the process they’ve changed its theatres for the better.
Taking my father, a Parkinson’s patient and stroke survivor, to the current Broadway revival was a challenge, but well worth it.