Memories of the Future
The International Theatre Institute continues its fight for the theatre of tomorrow.
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The International Theatre Institute continues its fight for the theatre of tomorrow.
After a century of internationalism, Chinese spoken drama goes global in a new way.
Times are changing at the world’s most famous—and infamous—passion play. Plus: Reflections of and on Obergammerau by Robert Wilson and Sarah Ruhl.
Master director Ratan Thiyam brings an eye-filling saga of good versus evil to America.
August Wilson’s Pittsburgh, and the black American experience, translated into Chinese and transposed to China.
A new production of ‘Good Woman of Sezuan’ offers cautionary parallels for post-reunification Germany.
‘The Black Rider’ testifies to his great love for theatre in all its manifestations. Can audiences relax and enjoy it?
Masked ritual folk theatre is becoming more prevalent in the country’s interior provinces.
As director of Moscow’s avant-garde Taganka Theatre, he became ‘the theatrical conscience of his nation.’ Now in exile, his future lies in the West.
Issues of identity animate new stagings of Jean Genet’s ‘Les Negres’ and Joshua Sobol ‘Ghetto.’