Trans-Pacific Partnership
Japan’s Tadashi Suzuki revisits SITI, the U.S. company he helped found 25 years ago.
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Japan’s Tadashi Suzuki revisits SITI, the U.S. company he helped found 25 years ago.
What the crisis at Harvard’s ART Institute says about the precarious state of theatre training in higher education.
A drink with Stuart at Bar Centrale before curtain up was always a highlight of my time in New York.
Stage works based on real material range so widely that about all they have in common is their makers’ aversion to labels.
Theatre ought to grow our moral imagination in a time of crisis. How do we get there—and who is ‘we’?
Both in content and form, documentary theatre in the U.S. has always been at theatre’s cutting edge.
In the digital post-truth era; theatre of the real doesn’t just dramatize change—in some case it embodies it.
Goat in the Road’s devised piece braided two veterans’ stories into an examination of identity and homecoming.
Tony Kushner and Jeanine Tesori’s musical, with its Confederate-monument subplot, will get an unexpectedly timely revival.
Kids’ theatre is a big tent, not a sideshow, but TYA/USA’s new leader craves more specificity and clarity about its mission and impact.