Letters to the Editor
Theatre Facts dissent, a defense of the subscription model, and more.
Theatre Facts dissent, a defense of the subscription model, and more.
As director of Moscow’s avant-garde Taganka Theatre, he became ‘the theatrical conscience of his nation.’ Now in exile, his future lies in the West.
In the New American Epics, drama busts out of the living room into the open spaces of our national history.
A new play from Beth Henley, second stages proliferate, theme seasons, and more.
From ‘Theatre Poems and Songs,’ published by Methuen, London.
Mark Twain’s classic encompasses the suffering which at once splits and joins a whole continent, but some can’t see that through the pain.
On the National Council for the Arts, he’ll speak for the ‘tough, ephemeral’ art of theatre.
Issues of identity animate new stagings of Jean Genet’s ‘Les Negres’ and Joshua Sobol ‘Ghetto.’
Pushback against, and praise for, editorials and trend reports.
The ‘new vaudevillians’ fuel the theatre with dazzling physical skill and a spirit of comic anarchy.