Equal Accessibility for Deaf and Hearing Audiences? It’s Possible!
How a new staging of ‘Cinderella’ is bringing Deaf/hearing theatre out of the ‘shadows.’
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Stories with a national scope.
How a new staging of ‘Cinderella’ is bringing Deaf/hearing theatre out of the ‘shadows.’
Tague, who served in an interim capacity when Resident Ensemble Players founder Sanford Robbins stepped down in 2022, is now his official successor.
LaTeshia Ellerson and Emilya Cachapero will head up national engagement and national & global programming, respectively, with an operations & business development leader yet to be hired.
A spate of new productions and adaptations explore the geopolitical and theatrical legacies of an empire in decline.
She’ll leave her post at NYC’s Vineyard Theatre to succeed Paula Tomei at the Southern California new-play powerhouse.
The artistic director of the Magic Theatre talks to the playwright of ‘The Travelers,’ the playscript in our Summer print issue, about poetry, process, and possibility.
Carrasco and Huong will receive up to $7,500 each over a one-year period.
How the season’s theatre festivals are faring amid rising costs, fickle audiences, and the warming planet.
The performing arts presenter and producer will be led by an artistic-administrative team that includes Annalisa Dias, Lanxing Fu, Lauren Miller, and Jesse Cameron Alick.
Bart DeLorenzo directs Noël Coward’s original ‘throuple’ play at the Odyssey.