Henrik & Heidi & Anton & Amy
Why and how Amy Herzog and Heidi Schreck took time from writing their own plays to adapt ‘An Enemy of the People’ and ‘Uncle Vanya,’ respectively, for Broadway.
Support American Theatre! A just and thriving theatre ecology begins with information for all. Make a fully tax-deductible donation today! Join TCG to ensure you get AT's return to print in your mailbox.
Stories with a national scope.
Why and how Amy Herzog and Heidi Schreck took time from writing their own plays to adapt ‘An Enemy of the People’ and ‘Uncle Vanya,’ respectively, for Broadway.
These seasoned Atlanta artists prove that creative entrepreneurship and collaboration are keys to a vibrant career in one of the South’s most exciting cities.
Deborah Zoe Laufer’s new play, now kicking off its rolling world premiere at Philadelphia’s InterAct Theatre, imagines an eerily plausible fascist future.
The 3 writers in Second Stage’s Judith Champion Reading Series—Sarah Mantell, D.A. Mindell, and Kaela Mei-Shing Garvin—reflect on their plays and their process.
Applications for the new program, designed to mentor early-career and aspiring critics in the region, are now open through July 15.
In Know Theatre’s new show, Cloud Cult’s 2010 concept album becomes an interstellar family drama set somewhere between Ohio and Proxima Centauri.
Branden Jacobs-Jenkins’s world premiere play about a Black political dynasty is the latest in Steppenwolf’s lineage of explosive work crafted around their acting ensemble.
Syracuse Stage’s managing director, who began her theatre career in the Midwest, will take her place this summer next to CTC’s new artistic director, Rick Dildine.
The flagship theatre memorably mounted Shakespeare’s popular history plays in 1990, and now they’re back for another repertory rotation.
The traveling workshop series for local TNB2S+ artists begins with Woolly Mammoth Theatre Company in May and Steppenwolf Theatre in July.