Lorna Courtney, Victor Abreu Win Clive Barnes Awards
Courtney and Abreu each received an unrestricted award of $5,000, and were among eight finalists selected by the committee.
Category Archives: Mid Atlantic
Stories from Delaware, Washington, DC, Maryland, New Jersey, New York and Pennsylvania.
Mabou Mines Announces Resident Artists Showings
3 participants in the company’s Resident Artists Program (RAP)–Lydia Jialu Li, Sarah Finn, and Jovon Outlaw—will present new works-in-progress at the theatre June 8-10.
New Ohio’s Ice Factory Festival Announces Final Lineup
Ice Factory 2023 features seven new works over seven weeks, culminating in artistic director Robert Lyons’s ‘Ultra Left Violence’ as the final show.
Broadway League Names 2023 Award Recipients
The League Awards recognize exemplary service to the touring Broadway industry.
How Does the WGA Strike Affect the Theatre? Ask Playwrights
The stakes are high for dramatists used to making most of their income writing for film and TV.
Kwame Kwei-Armah Named MTC Artistic Advisor
He will remain in his role as artistic director of the Young Vic in London while advising on MTC’s programming and future planning.
Will Davis at Rattlestick: An Artistic Homecoming
What would take a busy freelance director off the road? The chance to gather and serve communities—especially those who’ve been under-served.
‘Kimberly Akimbo’ Gives Grants to Fund High School Musicals
The first round of Great Adventure Grants for student theatre productions have gone to Denzel Washington School of the Arts, High Tech High School, and Pan American International High School.
The Tank Announces PrideFest Programming
The lineup includes new work by Emily Aviles, Ella Baldwin, Júlia Cerqueira, Scout Davis, Leo Diaz, Emily Drossell, Stephen Dym, Stephen Hill, Aliyah Hunter, Kenneth Keng, Adin Lenahan, Dauris Martinez, Brandon Monokian, Ashley Lauren Rogers, Jordan Rutter-Corvato, and Ricky Sim.
Pattern Recognition, Reconstructed: The Unlikely Return of Fornés’s ‘Evelyn Brown’
A new revival at La MaMa of the playwright’s opaque verbatim play from 1980 gives a fresh window into her unique formal and thematic ambitions.
