Exploring an Ensemble’s ‘Purpose’
Branden Jacobs-Jenkins’s world premiere play about a Black political dynasty is the latest in Steppenwolf’s lineage of explosive work crafted around their acting ensemble.
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Stories with a national scope.
Branden Jacobs-Jenkins’s world premiere play about a Black political dynasty is the latest in Steppenwolf’s lineage of explosive work crafted around their acting ensemble.
Syracuse Stage’s managing director, who began her theatre career in the Midwest, will take her place this summer next to CTC’s new artistic director, Rick Dildine.
The flagship theatre memorably mounted Shakespeare’s popular history plays in 1990, and now they’re back for another repertory rotation.
The traveling workshop series for local TNB2S+ artists begins with Woolly Mammoth Theatre Company in May and Steppenwolf Theatre in July.
This Miami-focused roundup includes folks focused on developing Latine work, stage management, lighting design, immersive theatre, and more.
Efforts like Fat Theatre Project and Broadway Bods are fighting for more opportunities for performers who identify as fat and to change the way they’re seen onstage.
The diversification of theatre design starts—but doesn’t end—with training.
The playwright of ‘Oslo’ and the new ‘Corruption’ likes to wrestle in public with the things that trouble him and our politics.
This month, theatres are still making tough programming choices as they look hopefully toward growing into the future, plus thoughts from Willow James and Tiffany Keane Schaefer.
High school theatre programs have often been sites of harm, particularly for femme and non-binary kids of color, but some are paving a better path forward.