Onstage This Week: Apr. 20-27
Art and religion, music and murder, conspiracies and magic are among the subjects and themes strutting and fretting their hours on U.S. stages.
Stories with a national scope.
Art and religion, music and murder, conspiracies and magic are among the subjects and themes strutting and fretting their hours on U.S. stages.
The slate includes a new academic drama by T.J. Brady and the U.S. professional premiere of Frank Wildhorn’s ‘The Count of Monte Cristo.’
The playwright’s docutheatre piece, about an infamous case involving a young slave convicted for killing her master, takes top prize.
Whatever Shakespeare’s intentions, the actor/writer argues, the role now offers a chance to reflect on race as it’s lived now. But are we up for that?
The slate ranges from Neil Simon to Julia, from a bio-drama about Justice William O. Douglas to ‘Man of La Mancha.’
The Houston theatre’s series includes a ‘Sweet Potato Queens,’ a world premiere from Melissa Manchester and Rupert Holmes.
Playwright Pearl Cleage, for whom tales of the Harlem Renaissance were childhood bedtime stories, reflects on her 1995 period piece.
New $52-million effort will support and study the audience-development work of 26 arts organizations, including 8 theatres.
The company’s landmark recreation of the Weill/Gershwin/Hart musical from 1941 sets out to recapture the show’s original glamour.
New plays, musicals, puppetry pieces and cabaret shows will get an airing at the storied development center.