The Style and Substance of Tim Robbins’s Actors’ Gang
After three decades, the punk-rock/commedia troupe founded by a bunch of UCLA theatre grads has become an international force, and its star leader is still fighting the good fight.
Head out West with coverage of theatres in Alaska, California, Hawaii, Nevada, Oregon and Washington.
After three decades, the punk-rock/commedia troupe founded by a bunch of UCLA theatre grads has become an international force, and its star leader is still fighting the good fight.
How a troupe of L.A.-based improvisers reawakened one critic’s taste for the possibilities of live theatre.
The distance from the Royal Shakespeare Company to the Improvised Shakespeare may not be as far as you think.
Two new plays in two different cities raise new questions about shadowy government plots of the 1980s. Coincidence?
The composer’s new hybrid work takes on myths and truths of Los Angeles, as well as one of his recurring subjects: the musical-theatre form itself.
The South Coast Rep founding member talks about what keeps him coming back for more humbug.
An historic gathering of Latina/o theatremakers put the focus firmly on the work and let the politics—including the identity politics—emerge, or not, from there.
From the TBA Awards to Chicago’s literary slam WRITE Club, this week’s theatre podcasts hit close to home.
TBA spreads the love with its first awards show, doling out a total of 69 awards in four categories to Bay Area theatres and artists.
Morisseau’s “Skeleton Crew” took the Sky Cooper New American Play Prize, and Martyna Majok won the David Calicchio Emerging American Playwright Prize for “Ironbound.”