I was spared his famous fury, thankfully, but once I met him, we spoke—and argued—often about the theatre we both loved.
He made his name with vitriol, but ultimately the role of critical scourge began to play him.
Honolulu Theatre for Youth’s longtime managing director forever changed TYA, in the islands and beyond.
The founder of Puerto Rican Traveling Theatre’s Playwrights Unit put his ambitions aside to help others, and we’re all better off for it.
A longtime Guthrie staffer, he influenced theatre across the U.S. and overseas with a humble but indomitable spirit.
He led Sundance Theatre Lab with wit, grit, and passion, often leading feedback sessions as lengthy and involved as the plays themselves.
The Guthrie’s first TD and a longtime theatre dean at USC, he launched countless careers with his unassuming, get-to-work ethos.
Among the legendary producer/director’s many gifts was an unflinching faith in his work, which was infectious if not imitable.
The Dallas troupe’s founding artistic director left a legacy of new and experimental work, both in her adopted hometown and around the world.
Playwright Mark Medoff, who won the Tony and the Olivier for his play Children of a Lessser God and who taught screenwriting and acting the University of New Mexico for 27 years, died on April 23 at the age of 79. I first met Mark Medoff at an audition. It was at the Mark Taper Forum annex in Los Angeles, and I was reading for him and the director Gordon Davidson, for a role in Mark’s new play, Children of a Lesser God. Though I had…