In this excerpt from a new journal by theatre artists, the author recounts how she confronted racism in a loved one with more love.
For Black theatre artists, this is a time for healing; for our white counterparts, it is a time of reckoning. Can we make this moment count?
The complete text of speeches by Jamil Jude, Monique Holt, and Nikkole Salter that opened last week’s TCG 2020 virtual conference.
For a production last year in Calgary, a gender switch illuminated the Shakespeare play’s conflicts in fresh and troubling ways.
Though American Realness and COIL are sorely missed, there was much international work to take in at this year’s Under the Radar and Exponential fests.
Anne Teresa De Keersmaeker’s pared-down choreography may depart from Jerome Robbins’s original steps, but is it telling the same story?
Caryl Churchill is the only writer working now who says and does something genuinely new with each new play.
New books document the processes and productions of 2 major New York companies.
The problem with young adult shows on Broadway isn’t that they focus on teens—it’s which teens they focus on.
Also, a goodbye to my editorial home.