Also, a goodbye to my editorial home.
Two high-profile, celebrity-laden versions of the campy musical are playing on opposite coasts. Which one is better? It depends if you prefer innovation or nostalgia.
Taking my father, a Parkinson’s patient and stroke survivor, to the current Broadway revival was a challenge, but well worth it.
Why ‘Completeness,’ a play about the impossibility of certainty, was singularly hard to finish.
What I learned from the critics and learned to tolerate the crickets.
A hefty new Ibsen biography gives us a deeply difficult man in full.
How three American showbiz figures reclaimed their Jewishness in a time of crisis and redefined it in the popular imagination.
Women and people of color, along with artistic originality, should not be considered commercial risks.
In a post-‘Moonlight’ world, writers like Michael R. Jackson and Jeremy O. Harris are making the case for LGBTQ stories that go beyond the gay white experience.
What did I learn at this year’s TCG National Conference? Criticism and journalism may be facing a crisis, but I can be part of the solution.