In a delightful and illuminating new memoir/oral history, playwright/director James Lapine revisits the ups and downs of his first project with Stephen Sondheim.
An Irish director hails the ensemble ethic and sharp focus of U.S. resident theatres, which compare favorably to any he’s worked with around the world.
When Mac Rogers and I met our playwriting hero, Wallace Shawn, we were honored—and confronted anew with his devastating plays.
Though much talk has surrounded possible federal funding, let’s imagine a world based in repertory theatre and funding from the state level.
My time at this storied Florida retreat was both relaxing and productive—and I was ready for the bugs this time.
The pandemic forced a conversation about filmed performance and audience access. Let’s not drop the ball.
In anatomizing the categories of things he’s collected over the decades, a playwright explores and suggests their dramaturgical possibilities.
After 25 years in the regional theatre, I’m done with the silence about the classism, sexism, and abuse I’ve experienced.
A Deaf educator who receives numerous emails from theatre teachers and directors gives advice on best practices for incorporating Deaf actors and ASL.
The creator of ‘In & Of Itself’ and new memoir, ‘Amoralman,’ has made a career of artful deception in the pursuit of a kind of theatrical truth.