The Showman and the Raconteur
New memoirs by British directors Nicholas Hytner and Dominic Dromgoole run the gamut, and the Globe.
Opinion
‘What the Constitution Means to Me’ and the Female Storyteller
In her boundary-breaking, civically engaged play, Heidi Schreck shows that a woman telling her story is a political, and powerful, act
High Tide of Heartbreak
Has theatre wounded me as much as or more than it’s healed me?
What Equity Is Doing to Prevent Harassment, and How You Can Help
It’s time to answer some common questions about the union’s role and responsibility in the age of #MeToo.
‘Oklahoma!,’ Still Okay?
Two new revivals—one ebulliently LGBTQ, another brooding and immersive—make this musical warhorse run in new directions.
The Shaw Festival’s Welcome Wagon
Under a.d. Tim Carroll, Niagara-on-the-Lake’s company honors its namesake with new work, complementary programming, and even—zounds!—a Shakespeare.
ConFest 2018: The A(PI)-List
This year’s Chicago gathering of Asian American and Asian Pacific Islander theatremakers overflowed with dialogue, camaraderie, and activism.
Every Time It’s Personal
How my reporting on one man’s abuse got tangled up with my own grief.
Let’s Put It in Writing
How can we help equip Actors’ Equity to prevent and punish harassment in our theatrical workplace?
Ivo Genius: Director, Adaptor, Auteur
A new book looks at Ivo van Hove’s thoroughgoing process, which is as much about distillation as direction.