Key takeaways from the Latinx Theatre Commons’s new-play fest in Chicago, where the focus was both national and hyper-local.
Four theatre leaders give ‘vision statements’ in response to the question: How does the role of artistic director need to change in the 21st century?
As Actors’ Equity prepares to announce a new name for its beloved Broadway ceremony, here’s a look at why they made the change.
What was missing from a recent op-ed? A sense of how lighting designers actually work to tell visual stories and create stage space.
Stage fog and haze are great tools for the right occasion. But must they be a default design element?
Two new dance biographies show what we can (and can’t) learn from the revolutionary choreography of Agnes de Mille and Bob Fosse.
Matthew Lopez’s two-part epic uses E.M. Forster as a template and is playing in London, but this sweeping, imperfect play is unmistakably American.
By doing such vital work by living playwrights, this classical destination theatre with Shakespeare in its name effectively puts them on equal footing with the Bard.
‘The Wolves,’ ‘Dance Nation,’ and ‘School Girls,’ all by young female playwrights, show girlhood in all of its complexity and ferocity.
What do Polish and U.S. history have in common? Nancy Keystone’s beguiling new mash-up makes the connections.