A Tale of Two ‘Little Shop(s) of Horrors’
Two high-profile, celebrity-laden versions of the campy musical are playing on opposite coasts. Which one is better? It depends if you prefer innovation or nostalgia.
Opinion
Everything Going His Way: My Dad’s ‘Oklahoma!’ Accessibility Journey
Taking my father, a Parkinson’s patient and stroke survivor, to the current Broadway revival was a challenge, but well worth it.
The Long Goodbye
Why ‘Completeness,’ a play about the impossibility of certainty, was singularly hard to finish.
The National Critics Institute: A Love Story
What I learned from the critics and learned to tolerate the crickets.
Norwegian Wood
A hefty new Ibsen biography gives us a deeply difficult man in full.
Chosen by Their Moment: Hecht, Cantor, and Rose
How three American showbiz figures reclaimed their Jewishness in a time of crisis and redefined it in the popular imagination.
‘What the Constitution Means to Me’ Is Setting a Theatrical Precedent
Women and people of color, along with artistic originality, should not be considered commercial risks.
Black, Queer, and Here
In a post-‘Moonlight’ world, writers like Michael R. Jackson and Jeremy O. Harris are making the case for LGBTQ stories that go beyond the gay white experience.
Arts Journalism for 2019: Lead With Questions, Not Opinions
What did I learn at this year’s TCG National Conference? Criticism and journalism may be facing a crisis, but I can be part of the solution.
In ‘Fairview,’ the Light of Truth and Its Reflection
If people of color were able to speak freely in a theatrical space, what would we say? Jackie Sibblies Drury’s play offers a compelling answer.