In sharing plans for a musical based on the Pixar film, creators have crystallized a moment in which we miss all the ingredients of making theatre.
I’m reclaiming my birth name in a new musical just as the U.S. elects its first Indian American VP. Coincidence? I don’t think so.
Her posthumous release honors the under-recognized place of Black artists in dance and theatrical history.
As the trauma of George Floyd’s killing and the specter of COVID entered my home and my work, I was reminded what my country is—and still could be.
How to rebuild the theatre field post-COVID? Invest in artists and let them do their best work in rep, and audiences will follow.
One writer’s extraordinary efforts to prove extraordinary ability for an O-1 visa.
Lockdown is no blessing, but I am using it for good: to heal, to step off the grant-writing treadmill, and to say no to more abuse.
Diversifying programming and leadership won’t be enough if our boards remain white and privileged.
Stephen Haff’s invigorating new book ‘Kid Quixotes’ recounts a translation process that changed his students and himself as well.
In this excerpt from his memoir ‘Lot Six,’ playwright David Adjmi recalls childhood touchstones and the shape and meaning they gave to his pain.