The NY Times’ recent ‘Brief History of Gay Theatre’ was not so brief. So how did it manage to leave out so much gay history that wasn’t white and male?
Conor McPherson, handed Bob Dylan’s complete song catalogue, no strings attached, brings it all back home.
My play about sexual assault has moved and inspired so many people, but first it rewrote me.
The new Spielberg film celebrates the freedom of the press, but a 1992 docudrama on the same subject delved deeper.
Many of these Florida teen activists found their voice and their sense of community onstage.
It’s not just all the arduous unpacking: AIDS, Reagan, the closet, Mormons. It’s also that the play’s millennial dread seems puzzling to post-millennials.
A massive new oral history recreates the drama behind Kushner’s modern epic, but does it do his ideas justice?
What I saw when I chose to focus on artists of color at Under the Radar, COIL, et al.
Thornton Wilder’s 80-year-old play offers something more than comforting nostalgia in a troubled American moment.
When people make exciting new work together at Dad’s Garage, why should we claim a piece of it?