A Many-Headed ‘Lear,’ a Theatrical ‘Dinner With André’
Karin Coonrod explains why ‘King Lear’ is apocalyptic but not bleak, and a new staging of an iconic film returns it to its theatrical roots.
Karin Coonrod explains why ‘King Lear’ is apocalyptic but not bleak, and a new staging of an iconic film returns it to its theatrical roots.
Three books look at the lives and impact of three influential 20th-century directors.
The legendary director has had a Zelig-like journey through the culture, from regional theatre to Hollywood, Strasberg to Grotowski.
He treats design—from’ Sweeney Todd’ to ‘Saturday Night Live’—as a puzzle to be solved.