Attention Must Be Paid to the Translator in ‘Salesman之死’
Yangtze Rep’s new production looks behind the scenes, and under the layers, of Arthur Miller’s Beijing staging of ‘Death of a Salesman.’
All Stories About Arthur Miller
The Rise and Fall of Arthur Miller
John Lahr’s new biography recounts the story of a playwright who met his historical moment like few before or since, then struggled for a second act.
The Canon, Reloaded: 3 Playwrights Respond to 20th-Century Classics
In riffing on works by Arthur Miller and Lorraine Hansberry, 3 new plays by Kimberly Belflower, Kelundra Smith, and Eleanor Burgess alternately explore and explode what was missing from the originals.
Stages of Grief: How Two Shows Are Coping With Cancellation
The companies behind new productions of ‘Salesman之死’ and ‘Catch as Catch Can’ reflect on what was lost and what’s to come.
The View From the Aisle Over ‘10,000 Nights’
Choice notes from an extraordinary theatregoing career, documenting trends and artists of the late 20th-century stage.
Mark Ruffalo Stands Up for Acting
Schooled by Stella Adler in his profession’s highest ideals, he’ll get another chance to live up to them in Arthur Miller’s ‘The Price.’
Frank Langella and Ben Whishaw, Bigger Than Life Onstage
Known for their work on screen, these two stage pros are in their element in ‘The Father’ and ‘The Crucible.’
All His Daughters: Arthur Miller’s Strong, Truth-Telling Women
He may be known for writing about fathers and sons, but his women often get the last word.
A Tragic Trio: Arthur Miller’s Centennial Inspires Stunning New Revivals
New stagings of ‘All My Sons,’ ‘A View From the Bridge,’ and ‘Incident at Vichy’ don’t just remind us of the playwright’s grand ambitions; they realize them.
Willy Loman as a Wandering Jew in New Yiddish Rep’s ‘Death of a Salesman’
Rendered in Yiddish, Arthur Miller’s American icon and his conflicted family may have a more specific cultural identity than usual, but the play’s universality still rings out.
