Attention Must Be Paid to the Translator in ‘Salesman之死’
Yangtze Rep’s new production looks behind the scenes, and under the layers, of Arthur Miller’s Beijing staging of ‘Death of a Salesman.’
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Yangtze Rep’s new production looks behind the scenes, and under the layers, of Arthur Miller’s Beijing staging of ‘Death of a Salesman.’
John Lahr’s new biography recounts the story of a playwright who met his historical moment like few before or since, then struggled for a second act.
In riffing on works by Arthur Miller and Lorraine Hansberry, 3 new plays by Kimberly Belflower, Kelundra Smith, and Eleanor Burgess alternately explore and explode what was missing from the originals.
The companies behind new productions of ‘Salesman之死’ and ‘Catch as Catch Can’ reflect on what was lost and what’s to come.
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Rendered in Yiddish, Arthur Miller’s American icon and his conflicted family may have a more specific cultural identity than usual, but the play’s universality still rings out.