The Revolt of Arthur Miller’s Women
‘John Proctor is the Villain,’ now on Broadway, is just one in a spate of recent plays that offer feminist correctives to ‘The Crucible’ and ‘Death of a Salesman.’
All Stories About Arthur Miller
Jeremy Tiang: Translation and Transformation
An interview with the playwright of ‘Salesman之死,’ about Arthur Miller’s collaboration with Chinese theatremakers on the premiere of his signature play in Beijing in 1983.
This Month in Theatre History
February recalls the comedic duo Williams and Walker, a Gertrude Stein opera, a ‘Death of a Salesman’ debut, and more.
Attention Must Be Paid to the Translator in ‘Salesman之死’
Yangtze Rep’s new production looks behind the scenes, and under the layers, of Arthur Miller’s Beijing staging of ‘Death of a Salesman.’
The Rise and Fall of Arthur Miller
John Lahr’s new biography recounts the story of a playwright who met his historical moment like few before or since, then struggled for a second act.
The Canon, Reloaded: 3 Playwrights Respond to 20th-Century Classics
In riffing on works by Arthur Miller and Lorraine Hansberry, 3 new plays by Kimberly Belflower, Kelundra Smith, and Eleanor Burgess alternately explore and explode what was missing from the originals.
Stages of Grief: How Two Shows Are Coping With Cancellation
The companies behind new productions of ‘Salesman之死’ and ‘Catch as Catch Can’ reflect on what was lost and what’s to come.
The View From the Aisle Over ‘10,000 Nights’
Choice notes from an extraordinary theatregoing career, documenting trends and artists of the late 20th-century stage.
Mark Ruffalo Stands Up for Acting
Schooled by Stella Adler in his profession’s highest ideals, he’ll get another chance to live up to them in Arthur Miller’s ‘The Price.’
Frank Langella and Ben Whishaw, Bigger Than Life Onstage
Known for their work on screen, these two stage pros are in their element in ‘The Father’ and ‘The Crucible.’
