The Real Movement Was Where We Weren’t Looking
We shouldn’t mistake the end of a funding arrangement for the end of the culture that funding once carried.
We shouldn’t mistake the end of a funding arrangement for the end of the culture that funding once carried.
By many measures, foundation giving to performing arts organizations is in decline—except in all the places it’s not.
It’s a good thing that unions and employers have a shared interest in the robust funding of the NEA and NEH—because it’s going to take a united front to make it happen.
Bond Street Theatre, which takes theatre into refugee camps and prisons overseas, has had programs cancelled—but they’re regrouping, fundraising, and even bringing some of their work home.
Florida theatres urged their community to act, with $12.8 million of arts funding and its cultural affairs department at stake.
His plans to trim $11.5 million from the state budget would eviscerate the state’s new Performing Arts Equitable Payroll Fund, designed to help arts employers pay workers a fair wage.
While some companies can quickly plug the holes in their budgets for now, the ripple effects of across-the-board cutbacks to federal arts funding may be long-lasting and felt by the most vulnerable.
The administration’s 2026 budget comes at a time when the future of NEA staff and grant programs remains in doubt.
Now is the time for artists and institutions to step up in defense of the most fragile and vulnerable among us—including our arts organizations themselves.
The move comes just a day after the ACLU filed a suit on behalf of a number of arts organizations, though for now the “gender ideology” language is still part of the grant awarding process.