In excerpts from a new book, the British-born director talks about childhood mysteries, the theatre buildings he’s worked in, and his fascination with erasure and contradictions.
His new play, debuting virtually via Cutting Ball Theater, envisions a world beyond conflict and judgment, which for him is a kind of realism.
From a socially distanced staging of ‘Lobby Hero’ to a TYA event addressing racism, there’s no shortage of theatre for your screen this week.
The ‘SpongeBob’ director has built a career on experimentation, even within traditional forms. Her next assignment: a musical of ‘Dave.’
Is there a way to humanize playwrights’ familiar submission/rejection cycle? Remembering that there are human beings on both sides of the exchange can help.