The untold history of the Latinx theatre movement in modern Los Angeles.
Socially engaged performance has a rich history in this country, and it deserves an account as localized and multivocal as its leading practitioners.
Over nearly 5 decades, the co-founder of Spiderwoman Theater has harnessed great if under-acknowledged power, and has felt an accordingly great sense of responsibility.
For 50 years, Su Teatro Culture and Performing Arts Center has been a Denver-area home for storytelling, learning, and community engagement.
From L.A.’s historic Teatro Hidalgo to New York’s INTAR, from D.C. to Houston and beyond, September has been a rich month for Hispanic and Latinx theatre artistry in the U.S.
The Bay Area theatre community mourns the loss of the the actor, maestro, and longtime member of El Teatro Campesino.
The Texas-born, Oregon-based playwright imagines a Steinbeck sequel with timely resonance.
From the Broadway debuts of Shaw and female impersonator Julian Eltinge to Dell’Arte’s move to Blue Lake and the beginnings of Chicago Dramatists, September has been a big month for theatre.
A 500-year-old Mexican American tradition is going strong, honoring tradition while picking up topical inflections along the way.
It’s sobering that Luis Valdez’s stirring Chicano protest musical is freshly relevant, but there’s nothing somber about its vibrant new staging.