Multiplicity defines our past and our future, and nowhere is this more true than in the Latinx theatre movement in the U.S.
Latinx theatre as we know it in the U.S. is only half a century old, but its roots are deep and its future boundless.
Luis Valdez’s company retains both its Chicano identity and its broader mission. Next: the return of the troupe’s most famous creation, ‘Zoot Suit.’
In ‘A Mexican Trilogy,’ the actor/playwright tells the story of a family, and a people, with her own creative family, the Latino Theater Company.
The slate includes a new play from the El Teatro Campesino founder, as well as a political drama, a farce, and a musical.
Conference attendees listened to one of America’s great listeners, StoryCorps’ Dave Isay, as he shared both how he captures people’s lives on tape—and why it’s worth doing.
José Torres-Tama shares tacos and immigrant stories in his performance truck.
A growing movement of place-based theatre draws on historical precedents to build something profoundly local and ever new.
A big win for Mamet’s Chicago-born real-estate drama, for El Teatro Campesino, and more.