An excerpt from a new book about the lessons learned from staging the work of 2 major English writers.
After percolating for nearly 40 years, the Group’s notion of staging Pinter finally clicked after a trip to China. But for now this door has closed.
Why did the Pinter estate demand that press be kept from the Wooster Group’s L.A. staging of ‘The Room’?
Two new books make the case for Pinter in performance as opposed to Pinter as literature.