Lisa Sanaye Dring Builds Mind Palaces
The playwright and director from Hawaii and Nevada discusses ‘Death Play,’ ‘Sumo,’ yearning, loneliness, and the wisdom of accepting loss.
The playwright and director from Hawaii and Nevada discusses ‘Death Play,’ ‘Sumo,’ yearning, loneliness, and the wisdom of accepting loss.
Shayok Misha Chowdhury’s new play at the Bushwick Starr isn’t just about his mother, the physicist Bulbul Chakraborty. She’s also his co-star.
The commissioning program Generation Now emerged from a desire to diversify TYA, and may offer a model for more communicative collaboration across companies.
Thirty theatres of color will receive $10,000 grants for general operating support.
A roundup of prizes, fellowships, and other recognitions.
A roundup of prizes, residencies, and other recognition from the week of Dec. 17.
7 new playwrights will be in residence with the New York-based Asian American and Pacific Islander theatre company.
The five-theatre partnership has commissioned new work from playwright Ifa Bayeza, Michi Barall, and Dustin Tahmahkera, and from the Latino Theater Company.
On this episode we talk to actor/playwright Daniel K. Isaac about his epic new play ‘Once Upon a (Korean) Time’ and about the untold histories that inspired it.
How Lloyd Suh’s ‘The Chinese Lady’ made it through 2 years of pandemic, protest, and anti-Asian hate to emerge as the nation’s most-produced and possibly most essential play.