The Real Movement Was Where We Weren’t Looking
We shouldn’t mistake the end of a funding arrangement for the end of the culture that funding once carried.
We shouldn’t mistake the end of a funding arrangement for the end of the culture that funding once carried.
A roundup of comings and goings at the top of U.S. theatre institutions.
It’s a good thing that unions and employers have a shared interest in the robust funding of the NEA and NEH—because it’s going to take a united front to make it happen.
The birth of the NEA and NEH, the original productions of an American classic by Arthur Miller and a flop by Tennessee Williams, and more.
The House’s proposed FY26 appropriations bill would slash federal arts and humanities funding by 35 percent.
While some companies can quickly plug the holes in their budgets for now, the ripple effects of across-the-board cutbacks to federal arts funding may be long-lasting and felt by the most vulnerable.
Arts organizations, including dozens of theatre companies, had NEA grants withdrawn or terminated late last week, and leadership resignations at the endowment bode ill.
The administration’s 2026 budget comes at a time when the future of NEA staff and grant programs remains in doubt.
The move comes just a day after the ACLU filed a suit on behalf of a number of arts organizations, though for now the “gender ideology” language is still part of the grant awarding process.
Filed by the ACLU on behalf of theatre organizations, including TCG, the suit is aimed at a new anti-trans guideline recently added by the endowment.