In Hollywood, Theatre Is Already on the Fringe, So Why Not Name It and Claim It?
Modeling itself after Edinburgh, the Hollywood Fringe Festival may be bigger than ever, but the shows are still small, scrappy and uncurated.
Modeling itself after Edinburgh, the Hollywood Fringe Festival may be bigger than ever, but the shows are still small, scrappy and uncurated.
Plays in Nashville Rep’s Ingram New Works Lab go from seedling to sapling. The town’s new-play scene, and the appetite for it, is growing, too.
One week each year, a Nebraska campus becomes a hub for playwrights to rekindle camaraderie and dreams—oh, and present some fierce new work.
In theatricalizing a genre well represented on film and TV, the one-act festival highlights the form’s unique storytelling value.
Among the offerings at South Coast Rep’s influential new work fest this year were plays inspired by its astonishing diversity.
A collection of not-so-straight plays, an ensemble-devised work and an African-American living-room play made up the main slate at Actors Theatre’s annual new-play gathering.
This year, in addition to its usual performance offerings, the festival partnered with thinkEAST to get site-specific with an Austin neighborhood.
Theatremakers joined students at the University of the Arts for theatricalized concert versions of sounded the limits of the musical theatre form.
When Water Tower Theatre first created its own multidisciplinary festival, it relied on national names to raise its profile. Now the local acts are more popular than the out-of-towners.
Expanding its offerings to a second week, the Denver Center’s annual new-play meeting gives featured writers more time to get their plays in shape—many of them for the mainstage.