No Bystanders at the Philly Fringe
After taking in nearly a week of performances, some durational and all participatory on some level, can I really go back to everyday, run-of-the-mill theatre?
After taking in nearly a week of performances, some durational and all participatory on some level, can I really go back to everyday, run-of-the-mill theatre?
From avant-garde to populist, from reimagined Shakespeare to devised immersion, this year’s fest delivered a richly various banquet of theatre.
Twelve-hour Greek plays, white face, drag queens, gender parity…the contributors and editors of “American Theatre” reminisce on what they loved most in the theatre in 2014.
The authors’ presence was elusive yet unmistakable, in two wildly different ways, in two pieces seen at the recent Philadelphia FringeArts fest.