This year’s grants will support innovative and socially engaged productions at theatres in Colorado, California, Oregon, Washington, and Arizona.
The disarming myth-making musical ‘Lizard Boy,’ about to make its NYC debut, is just one of the trails being blazed by this Seattle-based auteur.
Amy Freed, Julia Izumi, and Benjamin Benne have received commissions in the theatre’s 20×30: Reimagining the Anthropocene project.
Now onstage at Seattle Rep in Ibsen’s unsettling classic, she talks about the things you can and can’t convey onstage.
The company will partner with at least 3 theatres per year to develop new works.
A versatile designer who studied at UC Berkeley and Yale, he designed everywhere from Seattle Rep and the O’Neill Theatre Center to Broadway.
The theatre will return to in-person performances in July with a new play about activist Fannie Lou Hamer.
With no set date to return to the stage, Seattle Rep shifts its focus to its virtual programming.
Proceeds from the musical event, streamed from Florence, Italy, will go 13 theatres and institutions Felder has called home.
If we can’t have theatre until we can gather again safely, what are U.S. theatres and artists going to do in the meantime, and after?