The Theatrical Workforce Development Program aims to launch young people into full-time technical theatre careers, and diversify the industry.
When Waterwell discovered a Frank Loesser musical that hadn’t been performed since 1945, the company created a unique theatrical experience.
What the blow-up over a Times review of ‘Big River’ says about this cultural moment—and what it may bode for the direction of criticism.
A study of a recent season in the Windy City found that women wrote just 25 percent of plays and directed 36 percent.
A grassroots movement pressed its union to negotiate historic increases—and proved that activism works.
5 theatre freelancers (and 1 administrator) open their checkbooks to explain the financial choices they make to survive.
Quiara Alegría Hudes changed her mother/daughter drama into a musical. Then the world changed even more.
Both ‘Trans Scripts’ and ‘Orange Julius’ let trans people tell their own stories, though only one credits a trans playwright.
The British director, who’s bringing her new Kneehigh show ‘946’ to Berkeley Rep, tells us why gender parity shouldn’t be so hard to achieve.
Speaking up to bigotry and coming together in the face of uncertainty are two natural roles for the theatre.