At Children’s Theatre Company in Minneapolis, Dr. Seuss’s ‘The Sneetches: The Musical’ offered a prescient tale of discrimination and acceptance.
From the first American stage comedy to NYC’s ban on burlesque and the launch of the Mark Taper Forum, April was showered with noteworthy theatrical events.
From a teaching artist in Kentucky to an actor in Berkeley, Calif., here are some theatre workers to have on your radar.
For the Seattle Rep run, the design team turned the immersive show into one that can play in a proscenium.
From Lola’s heels to Aaron Burr’s simmer, the improv and TV star feels at home onstage.
Where would Broadway be without the nation’s nonprofit theatres? It’s impossible to say, so intertwined are their fortunes.
Is drama dying on the Main Stem? Not if these writers (and some enterprising nonprofits) can help it.
The stars alternate in the leads of Lillian Hellman’s spiky classic in Manhattan Theatre Club’s new revival.
How ‘Come From Away,’ ‘Amélie,’ and ‘War Paint’ found their footing in resident theatres before stepping up to New York City.
The composer behind ‘Great Comet’ and ‘Ghost Quartet’ makes music into theatre, and vice versa.