Theatre administrators don’t make art—they just make art possible
Having overseen more than 75 shows at Children’s Theatre Company, she loves to see young people in the theatre, both in the audience and backstage.
U.S. theatres strive to maintain and build on the period of relative stability reflected in the latest edition of TCG’s annual industry report.
How can institutions confront inequity and entrenched privilege in their hiring and workplace policies? Transparency is a good start.
How co-artistic directors Faye Price and Noël Raymond of the Minneapolis theatre organization infuse the arts into everyday life.
Six people who came forward with stories of harassment at the theatre, and where they are now.
Theatres find new ways to relate to immigrant and refugee communities, not only as audiences but as partners.
The Twin Cities company, which joins audiences and stories, recently brought together theatremakers to share its intimate, immediate model.
TCG’s latest report reflects a theatre field intent on examining its business practices and values.
At Children’s Theatre Company in Minneapolis, Dr. Seuss’s ‘The Sneetches: The Musical’ offered a prescient tale of discrimination and acceptance.