Eileen J. Morris of Houson’s Ensemble Theatre and Sean Daniels of Merrimack Repertory Theatre share why engagement and education has to start with leadership.
Ashley Lee, who was on staff at The Hollywood Reporter for five years and now freelances from Los Angeles, said she usually finds herself “interviewing famous actors and other celebrities about their latest moneymaking projects.” So it was something of a departure for her to write about Ubuntu Theater Project in Oakland, Calif., where last season the company gambled on a “pay as you can” subscription model, with surprising success. “I loved writing about Ubuntu’s admirable efforts to make their programming more accessible,” Lee said.…
Trinity Rep’s Spectrum Theatre Ensemble, a leader in accessibility programming, is building a canon of new work for neurodiverse performers and audiences.
New memoirs by British directors Nicholas Hytner and Dominic Dromgoole run the gamut, and the Globe.
Meet the driving force behind the institution that would become Milwaukee Repertory Theater.
Moving from Baltimore’s Center Stage to the Repertory Theatre of St. Louis, Sharif gives impressions of both cities and the work ahead.
Ubuntu Theater Project gambled on a name-your-price subscription model—and it worked.
From Jane Addams’s co-founding of Chicago’s Hull House to Jane Alexander as a fictional first female Supreme Court justice, October has been a notable month for theatre.
From a director of patron services in D.C. to a dramaturg in Illinois, here are some theatre folks you should have on your radar.
Hierarchical leadership and ‘best practices’ from 20, even 10 years ago, are no longer able to solve the challenges facing our field today.