Eileen J. Morris of Houson’s Ensemble Theatre and Sean Daniels of Merrimack Repertory Theatre share why engagement and education has to start with leadership.
Trinity Rep’s Spectrum Theatre Ensemble, a leader in accessibility programming, is building a canon of new work for neurodiverse performers and audiences.
Nikki Toombs of Atlanta’s True Colors Theatre Company and Tanya Mote from Denver’s Su Teatro share how engagement and education work fits their theatres’ missions.
The education and engagement programs at theatre companies remind us what this field is all about, and who it’s for.
As theatres claim a role at the center of community life, the aim is transformation, not transaction.
Up for a post-show discussion? Four a.d.s explain why they are—and you just might be too.
How co-artistic directors Faye Price and Noël Raymond of the Minneapolis theatre organization infuse the arts into everyday life.
From critical literacy programs to touring bilingual productions, theatres are going back to school to make a difference
What shows are education and engagement directors looking forward to, and who do they look up to? We asked and they told us.
How Atlanta’s flagship theatre planned and staged an entire season off-campus, and what they learned about their city and their audience in the bargain.