So you want to be an artist, but have no personal wealth. 6 things to consider.
How the Colts’ crushing near-victory in the ’96 playoffs helped make me a playwright, for real.
One sign that Shakespeare’s most famous tragedy isn’t going away: No one can agree on what it’s about.
We started as a lab in the 1980s. Now we run a multi-theatre center dedicated to reflecting L.A.’s diversity.
Two seasoned Foote performers reflect on his 1992 play, ‘The Roads to Home,’ now in a Primary Stages revival.
How the story of Matthew Shepard’s murder in a small Wyoming town resonated in a nation where hate and hope are in heated contention.
How ‘The Parlour,’ my play about the hidden hierarchies of the restaurant business, has been served by MCC Theater’s Youth Company.
For a musical at the Old Globe, we were tasked with creating a structure that could rotate and withstand a downpour. The solution? A self-driving house.
A stage adaptation of Claudia Rankine’s poems turns out to be exactly what we needed to respond to our city and our nation’s grief and division.
For a new play about gun violence, Milwaukee Rep teamed with the Zeidler Center to turn post-show dialogues into engaging and deeply personal experiences.