What we learned about ‘Merchant of Venice’ by staging it in the city where it was set.
What was a critic of color doing at a theatre conference? Only listening, learning, networking, and finding his place.
I was commissioned to write about a divisive historical figure. Who knew my play would drop when U.S. history was writing an explosive new chapter?
So you want to be an artist, but have no personal wealth. 6 things to consider.
How the Colts’ crushing near-victory in the ’96 playoffs helped make me a playwright, for real.
One sign that Shakespeare’s most famous tragedy isn’t going away: No one can agree on what it’s about.
We started as a lab in the 1980s. Now we run a multi-theatre center dedicated to reflecting L.A.’s diversity.
Two seasoned Foote performers reflect on his 1992 play, ‘The Roads to Home,’ now in a Primary Stages revival.
How the story of Matthew Shepard’s murder in a small Wyoming town resonated in a nation where hate and hope are in heated contention.
How ‘The Parlour,’ my play about the hidden hierarchies of the restaurant business, has been served by MCC Theater’s Youth Company.