With an emphasis on local talent and on presenting a range of classics—including all by its namesake playwright—Cincy Shakes has built both its repertoire and its reputation.
The oldest theatre in America will present ‘High Society,’ ‘Sister Act,’ ‘Harvey’ and ‘Peter and the Starcatcher’ next season.
2015 kicks off with (mostly) affairs of the heart, both strange and intimate, on canvases big and small, in tones both light and dark.
Mike Berkson has cerebral palsy, Tim Wambach has been his personal aide for years—and the two have got some funny stories to share.
From Gerswhin to Lin-Manuel Miranda, a look at January on stages past.
How one small London theatre has rallied the big ones to recognize and address the gender gap on U.K. stages.
Some theatres are finding ways to coach audiences into the world of the play before the curtain ever goes up.
Aaron Holland’s new musical expands a minor character from ‘War and Peace’ into an inspiration for a full-blown musical about a modern-day daydreamer.
No one sets out to do average work in the theatre, but to do anything exceptionally well requires prioritizing—and some balls are going to drop.
There’s a lot more in this issue than our special section on training for social activism.