Bob Kalfin and Me: A Friendship Over Half a Century
From our first meeting, he opened me up to a panorama of possibilities, not only in the theatre but in myself.
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From our first meeting, he opened me up to a panorama of possibilities, not only in the theatre but in myself.
With a Broadway debut about disabled folks and their caretakers, the playwright of ‘Sanctuary City’ and ‘Ironbound’ is again writing at the margins.
A new play at Barrington Stage Company, about a class-riven romance among 2 wheelchair and text-to-speech users, also has plenty of disabled talent backstage.
After 3 years as artistic director at Arizona Theatre Company, Daniels will lead new-play development at the Sarasota theatre, particularly of work dealing with addiction and recovery.
Readers respond to a review of a book about making it bleed onstage, and a theatre leader takes issue with a recent report on a necessarily changing field.
The company is launching another fellowship program to lower barriers for playwrights entering the industry.
In this episode, Brian talks to a longtime friend and colleague about her circuitous path from and back to the Pine Tree State, and what that journey has meant for her as a writer.
On this episode we broke the news that Nottage’s ‘Clyde’s’ will be the most-produced play of the season, then welcomed her and fellow prolific scribe Gunderson on to talk shop.
Named for Coho Productions’ late artistic director, Philip Cuomo, the new collective also includes Third Rail Rep and Portland Experimental Theatre Ensemble.
A mix of familiar and new titles, of challenge and comfort, characterizes this year’s lists, the first this magazine has done since 2019.