A new study from SMU DataArts found the metrics of success for smaller, community-oriented theatres to be both similar and different from their larger peers.
The fifth cohort of TCG’s Rising Leaders of Color encompass all areas of theatre practice, from producing to development to casting to writing.
Mayeda brings her experience in development and arts administration to the 2050 Fellowship at the New York Theatre Workshop.
Five colleagues I got to know over the past year through TCG’s professional development program, which adds up to more than the sum of its parts.
How Opera Theatre of St. Louis used a Wallace Foundation Grant to test audience-building strategies.
North Carolina Black Repertory Company is preparing another can’t-miss biennial week of new work, networking, and mentorship opportunities.
St. Louis’s Prison Performing Arts helps young inmates discover and rediscover their creative and interactive selves.
A historic gathering for theatres of color in St. Louis turned out to be a powerful and unexpectedly timely convening.
You’ve got to make concessions to your theatregoers’ tastes for food and drink.
Samples of St. Louis stage work and an award for the Kranzberg Foundation highlighted both the city’s triumphs and its challenges.