How veterans who leave the theatre of war are finding expression in another kind of theatre.
Can a play get made without a production? At a few indispensable development hubs, that’s the only way.
The arts incubator moves its main event to Morocco this year, aiming to create an Arabic/American playwright exchange.
Theatres in North Carolina and Mississippi look to cooperation, not boycotts, as an effective means of protest.
Before the show opened, the team of ‘Vanya and Sonia and Masha and Spike’ at the Goodman had to market it in 15 seconds. Here’s how they did it.
TCG’s industry report shows that, with the worst of the recession behind them, U.S. theatre leaders must plan for an unpredictable future.
Theatres are deftly negotiating the bumps and curves of an economy in flux. Theatre Facts 2011 tracks their progress.
Humana’s varied menu is bolstered by new-play investigations.
A profile of the managing director of the Atlanta–based Dad’s Garage theatre.
Political trepidation translates to unfocused theatre at Humana Festival.