Rachel Lynett Commits
The playwright behind ‘Committed’ and ‘Apologies to Lorraine Hansberry (You Too August Wilson)’ shares their journey from aspiring corporate defense attorney to playwright.
From AMERICAN THEATRE magazine, a podcast where playwrights talk to playwrights about the things usually left unsaid. In a conversation that dives into life’s muck, we learn what irks, agitates, motivates, inspires and—ultimately—what makes writers tick.
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The playwright behind ‘Committed’ and ‘Apologies to Lorraine Hansberry (You Too August Wilson)’ shares their journey from aspiring corporate defense attorney to playwright.
This 10-year anniversary special turns the tables, as playwright Crystal Skillman interviews host Brian James Polak about how his podcast helped him redefine playwriting success.
The Brooklyn-based playwright discusses childhood theatre memories in Cincinnati, the continued gender imbalance in the American theatre, and experiences working on iconic projects.
The Susan Smith Blackburn Prize-winning playwright talks about a life-changing course with Paula Vogel, San Francisco, post-grad revelations, the Kilroys, joy, and loss.
The Bronx-born playwright talks Fornés, trauma-informed writing, and parenthood as a writer.
The Minneapolis-based playwright discusses the importance of intentional audience engagement in diverse and unconventional theatre spaces.
A republished Subtext as tribute to its subject, Rachel Jendrzejewski, a Minneapolis-based interdisciplinary artist and writer who died last week after a battle with cancer.
The L.A.-based Colombian playwright, performer, and teaching artist talks about sources of inspiration from the Latine theatre canon and about building close artistic relationships.
Brian talks to the Minneapolis-based playwright about learning from criticism, connecting with collaborators, and finding his voice.
The writer of ‘Funny, Like an Abortion’ and ‘The Night Witches’ talks about long commutes, writing science plays, and the parts she wishes she’d been able to play in school.