Moved to Silence
A good mime, asserted the late Marcel Marceau, trains to be an athlete of the heart.
A good mime, asserted the late Marcel Marceau, trains to be an athlete of the heart.
In an interview, voice-work innovator Catherine Fitzmaurice prescribes a holistic regimen of freedom, release, and transcendence.
In an interview, Cicely Berry reveals how working on the sound and rhythm in Shakespeare can lead actors to the language within themselves.
Who was Shakespeare, anyhow? Do even the experts really know? And why should anybody care?
With so many academic programs cranking out new designers, what exactly are we training them for—and how?
A drag performer and playwright fiercely embodies his own speculations about beauty and imperfection.
Older, wiser and as prolific as ever, the much-honored playwright still chooses his words with immaculate care.
In a cavalcade of plays both intimate and epic, the playwright elucidates Asian-American life.
In a roundtable discussion, leaders in the field discuss how learning to keep theatre organizations robust and creative requires putting together disparate pieces.
The next stop on the director’s journey into the heart of America is the venerable OSF.