Lois Smith and the Work That Endures
The 95-year-old actor reflects on her rich and rewarding stage career, and the life it drew from and made for her.
The 95-year-old actor reflects on her rich and rewarding stage career, and the life it drew from and made for her.
The D.C. theatre’s incoming artistic director reflects on his path to leadership, the importance of risk-taking, and possibilities for brave new theatre.
The 2 playwrights compare notes on what they learned from TV writing, what they owe their community, and Gabo’s new play ‘The Surgeon and Her Daughters.’
As he leaves the dual helm of the Geffen School of Drama at Yale and Yale Repertory Theatre after 24 years, he reflects on a career of leading and learning.
Helen Shaw leaves The New Yorker for the Times’s top spot, while former NYer TV critic Emily Nussbaum will take over the mag’s theatre beat.
Court Theatre’s new artistic director talks theatre classics and joining a Chicago institution.
Ahead of a fall tour of the new concert musical ‘Dear Everything,’ V (formerly Eve Ensler) reflects on the climate change crisis, the ‘vagina that could,’ and her vision for collective action through theatre.
As one artistic director hands the reins to another, both reflect on the storied NYC theatre’s legacy, aesthetic, and future.
A seasoned regional theatre leader who currently serves as managing director of San Francisco’s ACT, Bielstein is at last taking a leadership role in her home state.
Taylor Mac, whose new play ‘Prosperous Fools’ is loosely inspired by ‘Le Bourgeois gentilhomme,’ and Jeffrey Hatcher, who has a new adaptation of ‘The Imaginary Invalid,’ talk satire, philanthropy, and healthcare.