Hope Clarke: A Career of Being Ready for the Next Chance
From the ‘West Side Story’ tour to television to work with George C. Wolfe, this performer/choreographer has followed each next step where it led.
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From the ‘West Side Story’ tour to television to work with George C. Wolfe, this performer/choreographer has followed each next step where it led.
The pandemic has given the Chicago playwright a chance to step back and rethink his approach—and he hopes theatres are doing the same.
The New York Times’ newest critic at large thinks about culture both broadly and personally, and strives to deliver dialogue, not a verdict.
ACT’s new director of the conservatory talks about teaching self-analysis, working within structures to dismantle them, and the possibilities of digital platforms.
The Times’ lead critic looks back on a fertile period in the field and reflects on the role he played in it.
The 45-year-old Pennsylvania theatre will also initiate a national search to fill out its senior artistic leadership team.
A new print monthly—yes, you read that right—is positioning itself to cover the field as it reemerges in coming years.
Glynn Turman, Colman Domingo, and Michael Potts talk about the new film of August Wilson’s breakthrough play.
Four Black dramaturgs who worked on Geva’s new audio-play festival talk about their work and their hopes for the field.
The theatre’s new artistic director talks about the forward-looking legacy she inherits, and about how post-pandemic theatres may resemble startups.