Jennifer Holliday, From ‘Dreamgirls’ to ‘Sophisticated Ladies’
She may have moved beyond the big bring-the-curtain-down numbers, but the singer can still bring down the house. Next: ZACH Theatre’s Ellington revue.
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She may have moved beyond the big bring-the-curtain-down numbers, but the singer can still bring down the house. Next: ZACH Theatre’s Ellington revue.
The playwright of ‘Ruined’ and ‘Intimate Apparel’ talks about her new play, inspired by America’s ‘de-industrial revolution’ and bowing this month at Oregon Shakespeare Festival.
The Old Globe’s newest Viola talks about same-sex attraction in Shakespeare, playing against type, and the wonders of Fiona Shaw.
The ‘Great Comet’ composer returns to Russia for ‘Preludes,’ and this time it’s personal.
The two composers met recently to talk music, theatre, and how they clear their conscience.
He’s happily played underdogs and second bananas, but in a new musical from Justin Paul and Benj Pasek, the ‘Pitch Perfect’ star at last has a role with range—and not just vocally speaking.
Robert Askins, writer of ‘Hand to God,’ talks with David Javerbaum, author of ‘An Act of God,’ about religion, theatre, and the music of comedy.
She already crossed a gender line. Now this northeast Ohio critic is crossing another barrier to become a playwright/performer.
He follows his Obie-winning show ‘No Place to Go’ with the album ‘Raw Milk,’ and lets us have an exclusive listen to two new songs from it.
The ‘Grimm’ star can’t stay away from the stage for long, whether in sunny L.A. or rainy Portland.