The Fire This Time Festival Makes Space for New Black Voices
Now in its sixth year, the new-play festival begun by Kelley Girod will feature a premiere by Nathan Yungerberg, ‘Pousada, Azul,’ and several short plays.
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Now in its sixth year, the new-play festival begun by Kelley Girod will feature a premiere by Nathan Yungerberg, ‘Pousada, Azul,’ and several short plays.
Four- to six-hour performances seem to be proliferating at this year’s Under the Radar and COIL festivals. Why do artists—and audiences—want to go long?
Mike Berkson has cerebral palsy, Tim Wambach has been his personal aide for years—and the two have got some funny stories to share.
Aaron Holland’s new musical expands a minor character from ‘War and Peace’ into an inspiration for a full-blown musical about a modern-day daydreamer.
In ‘Steal Heaven’ at San Diego REP, Herbert Siguenza imagines what ’60s icon Abbie Hoffman would think of our iPhone-and-drone age.
A physical-theatre phenom created in 1979 by Jerry Mouawad and Carol Triffle, ‘FROGZ’ brings together acrobatics and animals, and unites audiences of all ages.
After a number of years and as many setbacks, a new musical of Barry Levinson’s buddy film hits the stage, with tunes by Sheryl Crow.
When Shaheen Vaaz set out to make ‘Dirty Talk,’ a show about sexual assault on campus, she had no idea how timely or how close to home it would be.
At various sites around LaMaMa, Talking Band’s new four-part show sees what the folks in the backroom will have.
The MacArthur genius grantee talks about his new play ‘Pocatello’ at Playwrights Horizons, and why the Olive Garden makes a great metaphor for family and community.