Mike Berkson has cerebral palsy, Tim Wambach has been his personal aide for years—and the two have got some funny stories to share.
From Gerswhin to Lin-Manuel Miranda, a look at January on stages past.
Some theatres are finding ways to coach audiences into the world of the play before the curtain ever goes up.
Aaron Holland’s new musical expands a minor character from ‘War and Peace’ into an inspiration for a full-blown musical about a modern-day daydreamer.
No one sets out to do average work in the theatre, but to do anything exceptionally well requires prioritizing—and some balls are going to drop.
There’s a lot more in this issue than our special section on training for social activism.
In ‘Steal Heaven’ at San Diego REP, Herbert Siguenza imagines what ’60s icon Abbie Hoffman would think of our iPhone-and-drone age.
The Minneapolis presenter tries a membership model for offerings by its 15 resident companies. Netflix for the theatre, anyone?
An eight-foot-tall puppet Cruella de Vil and mod hair anchor Children’s Theatre of Charlotte and Imagination Stage’s coproduction of ‘101 Dalmatians.’
As he gears up for another festival January, the downtown impresario weighs in on a busy and changing scene.