The Neutrality Trap
The great minds of 20th-century theatre wanted to free our thinking about theatre spaces. How did we end up in a black box?
The great minds of 20th-century theatre wanted to free our thinking about theatre spaces. How did we end up in a black box?
The late master of monologue has more (and less) to reveal in his journals.
Grounded in Main Street Theater’s trademark intimacy, the artistic director brings Tom Stoppard’s epic trilogy to Houston.
A playwright puts himself in a child’s shoes by retracing the steps of a conquistador.
A terrace in Greece for a revival of Marina Carr’s play, but it’s not a vacation spot.
A catalogue of all the hats an assistant director wears, and a piercing interrogation of our love for black-box theatre.
This year’s training issue looks at the way theatre folks learn from others in the trade.
The prize-winning actor brings a Chicago triumph home to D.C.
How a cast of 181 very different performers came together—and went on an ‘Odyssey.’
Might a play find its true voice in a second language? Well, if the shoe fits…