Write, Erase, Do It Over: On Failure, Risk and Writing Outside Yourself
Learning how to fail well is as crucial a part of a writer’s craft as putting words on a page. With other kinds of failure, you have less control.
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Learning how to fail well is as crucial a part of a writer’s craft as putting words on a page. With other kinds of failure, you have less control.
Fighting for freedom of expression in high school theatres can be a complicated cause, but it’s clearly a fight that matters for all theatre artists.
A witness of the U.S. Civil Rights struggle happened to be on hand for the historic fall of the Berlin Wall, and the moment resonated.
Joseph Haj, producing artistic director of PlayMakers Repertory Theatre, talks about the challenges and benefits of co-directing.
At a solitary Gulf Coast retreat, veteran playwright Craig Lucas reconnects with the sublime.
The recently retired director of the O’Neill Critics Institute reflects on his time in Minneapolis at the Guthrie’s beginning.
An acclaimed performer shares his insights on five iconic leading roles.
Activated by memories of their creator, the words of the late Sekou Sundiata take on a new meaning.
In ‘The Train Driver,’ South Africa’s master dramatist wrestles with the fate of a poor family and what it means to him.
When theatre artists and military personnel come together, assumptions on both sides are transformed.