Reading Between the Lines of Rejection Letters
Is there a way to humanize playwrights’ familiar submission/rejection cycle? Remembering that there are human beings on both sides of the exchange can help.
First Person
The Enduring Lessons of ‘How I Learned to Drive’
My play about sexual assault has moved and inspired so many people, but first it rewrote me.
Stirred by ‘The Post’? You Need to Know About ‘Top Secret’
The new Spielberg film celebrates the freedom of the press, but a 1992 docudrama on the same subject delved deeper.
IP Made Simple: You Make It, You Own It
When people make exciting new work together at Dad’s Garage, why should we claim a piece of it?
’Cause That’s the Way Things Happen on the Polar Express
Playing a Steward in this immersive holiday show has been a moving experience—literally.
Shylock, Remade in the Venice Ghetto
What we learned about ‘Merchant of Venice’ by staging it in the city where it was set.
Belonging and Becoming: Reflections on #TCG17
What was a critic of color doing at a theatre conference? Only listening, learning, networking, and finding his place.
How Bloomsburg’s ‘Gunpowder Joe’ Took Aim at 2017
I was commissioned to write about a divisive historical figure. Who knew my play would drop when U.S. history was writing an explosive new chapter?
How to Make It as a Poor Theatre Artist in New York City
So you want to be an artist, but have no personal wealth. 6 things to consider.
The Arrogance of Losing, or Play the Game to Win
How the Colts’ crushing near-victory in the ’96 playoffs helped make me a playwright, for real.