Caryl Churchill is the only writer working now who says and does something genuinely new with each new play.
Taking my father, a Parkinson’s patient and stroke survivor, to the current Broadway revival was a challenge, but well worth it.
Why ‘Completeness,’ a play about the impossibility of certainty, was singularly hard to finish.
What I learned from the critics and learned to tolerate the crickets.
What did I learn at this year’s TCG National Conference? Criticism and journalism may be facing a crisis, but I can be part of the solution.
When memory fails, writing can recall, awaken, and even liberate.
It took the worst news and deepest doubts of my life to lead me to my voice and my subject: exploring Black queer love.
What am I learning while doing time, apart from mopping the gym? I’m getting to know people in transition.
Has theatre wounded me as much as or more than it’s healed me?
This year’s Chicago gathering of Asian American and Asian Pacific Islander theatremakers overflowed with dialogue, camaraderie, and activism.