Key takeaways from the Latinx Theatre Commons’s new-play fest in Chicago, where the focus was both national and hyper-local.
Is there a way to humanize playwrights’ familiar submission/rejection cycle? Remembering that there are human beings on both sides of the exchange can help.
My play about sexual assault has moved and inspired so many people, but first it rewrote me.
The new Spielberg film celebrates the freedom of the press, but a 1992 docudrama on the same subject delved deeper.
When people make exciting new work together at Dad’s Garage, why should we claim a piece of it?
Playing a Steward in this immersive holiday show has been a moving experience—literally.
What we learned about ‘Merchant of Venice’ by staging it in the city where it was set.
What was a critic of color doing at a theatre conference? Only listening, learning, networking, and finding his place.
I was commissioned to write about a divisive historical figure. Who knew my play would drop when U.S. history was writing an explosive new chapter?
So you want to be an artist, but have no personal wealth. 6 things to consider.