Know a Theatre: Cincinnati Shakespeare Company
With an emphasis on local talent and on presenting a range of classics—including all by its namesake playwright—Cincy Shakes has built both its repertoire and its reputation.
With an emphasis on local talent and on presenting a range of classics—including all by its namesake playwright—Cincy Shakes has built both its repertoire and its reputation.
Mike Berkson has cerebral palsy, Tim Wambach has been his personal aide for years—and the two have got some funny stories to share.
From Gerswhin to Lin-Manuel Miranda, a look at January on stages past.
How one small London theatre has rallied the big ones to recognize and address the gender gap on U.K. stages.
Some theatres are finding ways to coach audiences into the world of the play before the curtain ever goes up.
Aaron Holland’s new musical expands a minor character from ‘War and Peace’ into an inspiration for a full-blown musical about a modern-day daydreamer.
No one sets out to do average work in the theatre, but to do anything exceptionally well requires prioritizing—and some balls are going to drop.
In ‘Steal Heaven’ at San Diego REP, Herbert Siguenza imagines what ’60s icon Abbie Hoffman would think of our iPhone-and-drone age.
The Minneapolis presenter tries a membership model for offerings by its 15 resident companies. Netflix for the theatre, anyone?
Twelve-hour Greek plays, white face, drag queens, gender parity…the contributors and editors of “American Theatre” reminisce on what they loved most in the theatre in 2014.