On this jam-packed episode, we talk to the star and director of ‘Hedda Gabler’ at the Old Globe, the writer and co-director of ‘Chez Joey’ at Arena Stage, and the writer of a key story in our new training issue.
A roundup of prizes, fellowships, and other recognitions.
The D.C. theatre’s incoming artistic director reflects on his path to leadership, the importance of risk-taking, and possibilities for brave new theatre.
Theatres are stepping up for a national series of play readings by Indigenous writers, set for May 5, 2026, National Day of Awareness for Missing and Murdered Indigenous Women and Relatives.
The 16 Edgerton Award recipients will receive extra development after their world premiere productions.
Some venues are closed, others still open, and many have offered discounts to paused federal workers.
The New York-based scenic designer discusses her process, design partners, and theatre memories for our Summer 2025 issue.
The business case for a more diverse American theatre is a distraction from our core human and artistic values, which is the ground we must stand on in the fight for DEI.
Tarell Alvin McCraney’s new play for Arena Stage both celebrates and complicates hard-won marriage equality rights just as D.C. welcomes WorldPride festivities.
The star of this season’s shipwrecked Avett Brothers musical reflects on the show’s brief, brilliant voyage—and how its dark depths rescued his first love.
Each gift is a stitch in the tapestry that celebrates our resilience, strengthening theatre nationwide. Add your thread today.
