How a cohort of artistic directors of color, recently hired at major U.S. theatres, have confronted unforeseen upheavals.
Walker-Webb will assume the role Oct. 1, succeeding interim artistic director Ken-Matt Martin.
The new program will allow artists and community organizations access to the theatre’s physical spaces.
The departing leader of Baltimore Center Stage talks about the challenges the theatre field is facing, and about the changes she was able to make to address them.
She leaves the post after 5 years, to be replaced on an interim basis by former Victory Gardens artistic director Ken-Matt Martin.
Frank will join the theatre this month after working for years in nonprofit theatre, most recently at New York’s Waterwell.
What began as a dark thought experiment—what if Black folks just left America and its racist violence behind?—has grown into a scathing satire that speaks to something deep inside audiences.
With 3 plays opening within as many months of each other, the prolific writer talks about comedy, empathy, and his deep love for television.
The editors speak to the playwright of ‘Dream Hou$e,’ a new play about gentrification, sisterhood, and reality TV, now onstage at Long Wharf Theatre.
The new year-long effort aims to support artistic development at and among Baltimore Center Stage, Woolly Mammoth, Long Wharf, and the Repertory Theatre of St. Louis.