A Theatre of Marvels: What I Learned From Brecht and Weigel
In this excerpt from André Gregory’s ‘This Is Not My Memoir,’ written with Todd London, he recounts his formative months at the Berliner Ensemble.
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In this excerpt from André Gregory’s ‘This Is Not My Memoir,’ written with Todd London, he recounts his formative months at the Berliner Ensemble.
Who’s depriving American audiences of the great foreign-language theatre of the world?
A Turkish festival mirrors the nation’s cultural crisis.
A new production of ‘Good Woman of Sezuan’ offers cautionary parallels for post-reunification Germany.
Weimar recreated at Louisville Classics Festival, highlighted by rare visit of the Berliner Ensemble.